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George Yefchak, Editor
Please submit all material at least one day prior to distribution date.
Today Berlioz II 7:00 - 7:30, Berlioz I 7:30 - 8:00, Berlioz V 8:00 - 8:45, Bartók III, I 9:00 - 10:00
September 3 Sectionals
Strings in Band Room with Eric,
Winds and Brass on stage with Kristin.
Bartók 7:00 - 8:00,
Berlioz (beginning with Mvts. IV and V) 8:00
September 10
Berlioz II 7:00 - 7:15, Berlioz I 7:15 - 7:45, Berlioz
V 7:45 - 8:15, Bartók III 8:30 - 9:15, Bartók
I 9:15 - 10:00
September 17 Berlioz III 7:00 - 7:30, Berlioz I 7:30 - 8:00, Berlioz IV 8:00 - 8:20, Berlioz V 8:20 - 8:35, Bartók III 8:50 - 9:20, Bartók II 9:20 - 10:00
September 24 Berlioz spots, in order
7:00 - 8:00 (Mvt. IV and V people at 7:30),
Bartók spots in order 8:15 - 9:30, Smetana
9:30 - 10:00
October 1 Berlioz spots, in order
7:00 - 8:00 (Mvt. IV and V people at 7:30),
Bartók spots in order 8:15 - 9:30, Smetana
9:30 - 10:00
Saturday, October 4
Dress Rehearsal (Concert order)
Smetana 10:00 - 10:30, Bartók 10:30 - 12:00, Berlioz
12:00 - 1:30
Sunday October 5
Concert 3:00 P.M.,
2:30 P.M. Call
Tom Diskin will be at tonight's rehearsal with tapes for lots of people who have placed orders. Unfortunately, he never got the masters for the final two concerts of last season, so those orders have not yet been filled.
We have a digital master for the Mahler concert, but it may be flawed. Tom will pick it up tonight and check it out. Also, he'll pick up the June master from Dan Swinehart soon. So if you've ordered tapes for the final two concerts, stay tuned...
George Yefchak (oboe) produces this newsletter, usually every week or two, to communicate various announcements and other information of interest to members. Excerpts are available on the web.
Announcing the release of Ariel View, a CD featuring Tone Poems for Violin and Piano composed and performed by Karen Bentley and Bruce Hanifan. For information, see the Ariel View web page.
I found a complete arrangement of Everything's Coming Up Roses for marching band. I've got all the parts, and two copies of most of the woodwind and cornet parts.
This is probably a major flash to the past for anyone who was in high school marching band during the sixties or seventies. I know we played this arrangement ad nauseam in my high school. I'll give this to anyone who wants it. Joan (clarinet) can bring the parts to rehearsal.
--Alan Hebert
This is a Web version of text from the newsletter "Redwood Symphony Notepad" which is distributed to members of the Redwood Symphony at rehearsals. The newsletter and this online version are edited by George Yefchak.
